logos.jpg“History is not about the facts. It is about the context and who is telling the story.” —Prof. Milton Fine. 

"Who controls the past controls the future: who controls the present controls the past."   –– George Orwell in his novel "1984." 

"Whoever doubts the exclusive guilt of Germany for the Second World War destroys the foundation of post–war politics." ––  Prof. Theodor Eschenberg, Rector, the University of Tübingen.

"If we have our own why in life, we shall get along with almost any how."         –  Friedrich Nietzsche

"After the end of an inglorious era, there is always a certain tendency to eradicate and forget, to remove evidence and documents from this period from historical use. This is especially true for those interested in film history when attempting to present the history of German film during the Third Reich." –– from a PhD candidate's dissertation, 1954, Munich.

 

 

POSTER GALLERY  --view

over 500 German film

original posters between16-years-ribbon-anniversary-vector-15015027.jpg

1927–1954  from

Germany and from

many Axis and Neutral countries

across Europe!  

 

Note!  Posters in the Poster Gallery are PERMANENT

acquisitions which are NOT FOR SALE!!   ONLY the

posters listed in our POSTER STORE are for sale. 

(They have a price and order button to use.)

 

Zu neuen Ufern

 

This Italian poster is a 2–sheet, measuring 78 inches x 55 inches (200 cm x 140 cm). It differs from the German poster graphics by adding the queue of female prisoners lined up to go onboard the ship departing London for the Antipodes – to the bleak Parramatta Womens' Prison, 25 miles from Sydney. Incidentally, the Womens' Prison still stands in present-day Parramatta as a national heritage site.

 

The original Italian poster  shown at the bottom of this webpage used the German poster graphic design butUFERN  -- GFDN.jpeg added the queue of prisoners, undoubtedly because without that imagery the Italian title of the film "The female prisoner of Sydney" would not have made much sense.  We show the original German poster image at right.

 

 

 

 

 

 

 

A  scene  from the film of Leander as a female prisoner in colonial Parramatta, Australia:

 

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BELOW, Remains of the notorious Female Prison & Workhouse in Parramatta, NSW, 25 miles from Sydney. It was built in 1821 and over 9,000 female prisoners from Great Britain were transported there for mostly minor crimes, serving 7 or 14 year sentences. Upon release, the freed women had no choice but to remain is Australia, as they had no means to buy passage on a ship back to GB.  The Prison was closed in 1848 when criminals stopped being sent to Australia and "Transportation" ended. The Prison had a marriage bureau which allowed men to choose a prisoner to be his wife, and if she consented, he paid for her freedom and her sentence was commuted if she married him. This scene in Zu neuen Ufern was an accurate depiction of such historical events. (Photo taken January 2025).

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BELOW, a 1842 oil painting of the Female's Prison & Workhouse six years before it was closed.

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An outstanding re–mastered print of the film, along with Zarah Leander in La Habanera was released on Blu Ray in early 2021, both with English subtitles:

 

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Year
1937
 
Director
Sierck
 
Country
Italy